So here they come hurtling towards us with their debut album: Britain’s new ‘it’ band, The Vaccines. One thing to note here is that nothing is really new, no new ground is covered, but it is a fine album. The Vaccines have had all the right plaudits, from BBC 6 Music to The Guardian and with What Did You… they have shown why.
The album as a whole is a reverb-heavy nod to the post-punk of Joy Division, Blondie and The Cure, but kicks off in the vein of Punk with the Ramones-style, short, sharp and shocking attitude of Wreckin’ Bar (Ra Ra Ra). We then go flying into the sing-along second track (and second single release) If You Wanna where the (God is it back again?) post-punk revival kicks in.
Fifth track Wetsuit has the summer festival, anthemic appeal that The Strokes were once capable of creating and straight after that is Norgaard, which exactly halfway through reignites The Ramones’ punchy, straight-up call.
Post Break-Up Sex has been playing on the radio for a while now and is probably the album’s best track and after it the album doesn’t again get as thrilling until the hidden 12th track Somebody Else’s Child, which is a truly sombre affair, but stunningly sonically and lyrically emotional.
The Vaccines may well be the band on everyone’s lips at the moment and some may moan that they’re not that exciting, but it would be difficult to argue that they don’t have a way with a tune.